Click & Register to get Free Recharges
Sunday
Time table for C09 scheme, C08 scheme Vth sem and C05 scheme Vth sem Regular and Backlog Examinations- November-2010
Time table for C09 scheme, C08 scheme Vth sem & C05 scheme Vth sem Regular and Backlog Examinations- November-2010 has been released today u can download it from the below link
Friday
Raktha Charitra Story and Review
Raktha Charithra - 1
For many film makers Raktha Charitra is a new text book n Professor RGV came back in a different format. (A )must watch Film.Rating : 3.25/5
Director : Ram Gopal Varma
Music Director : Mani Sharma
Producer : Madhu Mantena, Sheetal Vinod Talwar
Starring : Vivek Oberoi, Surya, Priyamani and others...
What’s it about: The story of Rakta Charitra is pretty simple and almost known to everyone. Nagamani Reddy (Kota Srinivasa Rao) gets a local backward caste leader Veerabhadraiah killed out of pure jealousy. The revenge drama unfolds as Veerabhadraiah’s elder son starts killing anyone who is close to the Reddy’s. He also tries to keep his younger brother Pratap Ravi (Vivek Oberoi) away from the feuds. However, Bokka Reddy (Abhimanyu Singh) gets Pratap’s brother killed. Enraged Pratap Ravi is sucked into the quagmire of revenge resulting in him being left to take hiding in jungles with only vengeance in mind. The rise of Pratap Ravi from a vengeful son to a political leader is the story of
Rakta Charitra – Part 1
What is Good: From the moment it starts, we are sucked into the blood bath that is done in the name of loyalty and to an extent, fear. There are many characters, and we relate to each one of them easily within the first few minutes. The men are either loyal or jealous or afraid, but they are extremely true to their specific emotion.
The film seems like it looks down upon women showing them as mere spectators of what’s happening around them. But their silence is brutal; their support to their men is obsessive. If women can be so emotionally aggressive, almost all the men’s characters are justified. As a result of such justification and terrific characterization, almost all the actors shine.
Vivek Oberoi shows his calbire as an actor. Kota Srinivasa Rao fits right into the character of a villainous politician, even though he played such roles a zillion times. Shatrughan Sinha does the role of ‘over the top’ and self appraising actor-turned-political leader extremely well. Zarina Wahab as Ravi’s mother is intense. Sudeep and Ashwini Kaleskar have small but interesting roles to play.
However, it is Abhimanyu Singh who wows everyone in the role of Bokka Reddy. He plays the embodiment of all vices as if he is one such character in real life. He’s so good as the villain that you don’t feel like looking at him when he’s on the screen.
The metaphors that Ramgopal Varma uses for the police, the guns, justice, revenge, lost innocence etc. are plenty in Rakta Charitra. Those who want to find them will definitely find them.
The movie however doesn’t come across as brilliant as it could have been.
What is bad: Director Ramgopal Varma was so enchanted by this riveting drama that he chose to be the narrator himself. His voice is as good and as loud as Nutan Prasad’s narrative for a famous crime based TV serial. While the film’s tone is more like a documentary, it jumps situations and timelines for the sake of screenplay convenience. It seems the screenwriters were trying to avoid telling if the film is set in modern times or the 1980s. There are no mobile phones, yet the settings look ultramodern in urban scenes! The hero uses scooter, but the village settings don’t blend with the tone of the film, giving it a very hypocritical texture. This might result in making the audience disconnected with the story.
Rakta Charitra doesn’t glorify violence, but killing people never looked so easy and yet so excessive on Telugu screen. The only laughing moments come in the way Abhimanyu Singh looks at women. The only song in the movie looks like it has been hurriedly shot, and carries the flavor of ‘Khallas’ from Ramgopal Varma’s film ‘Company’. All other songs are in the background and almost all lyrics contain the words Rakta Charitra. Obviously those who will be looking for any kind of entertainment from this movie will be highly disappointed.
The movie doesn’t explain why Pratap Ravi’s brother is in jungles. In one scene Pratap Ravi, who is wanted in the village, drives along with his entourage of rowdies just hiding under a rug, and kills a very important leader just like that. Ramu doesn’t give any logic to such scene, as he might have thought that the emotion of killing will carry the scene. May be he is right!
echnical Departments: : Amol Rathod’s camera work is exceptional, and is supported by the film’s editing very well. One important aspect is that the continuity is noticeably realistic, inspite of having numerous characters on screen. The screenplay is brilliant at the beginning, when characters are introduced. It takes a backseat as RGV’s visual technique guides the film. Background music is justified. Costumes are realistic, but the setting should have been taken care of.
Ramgopal Varma the director is as good as he can get. A situation where the hero’s one eye is visible, and the other eye is covered with a sickle just tells how much importance he gives to visual style. However, his inattention to certain details like those mentioned above is visible too. All said and done only someone like Ramgopal Varma has the guts to make a film like this and he should be appreciated completely for it.
Final Point: Rakta Charitra has unexpectedly least entertainment value for a typical viewer of Telugu cinema, yet it never bores you. As expected it is a documentary style film, and has more violence than one can imagine. Watch it at your own risk, but this is an unforgiving film and you won’t forget it too soon.
P.S: The sneak peek of Rakta Charitra - Part II at the end of the Part 1 was so enthralling, especially with Surya on screen that no one moved till it ended!
Ram Gopal Varma is back after a long hiatus into the Telugu circuit and he chose his favorite genre of violence, intensity and bloodshed. Let us see how far RGV is successful in convincing audiences. Let us peep into good and bad in the movie:
StoryNoted MLA Narasimha Reddy (Kitty) has got a trusted aide in the form of Veerabhadriah (Rajendra Gupta) in Anandapuram area.
However, Narasimha’s relative Nagamani Reddy (Kota) is unable to take this for reasons of caste and losing his presence. He plants a seed of friction and in no time, Narasimha Reddy gets Veerabhadriah killed. This enrages Veerabhadriah’s elder son Shankar Ravi (Sushant) and he gets into a killing spree and operates from forests.
Veerabhadriah’s younger son Pratap Ravi (Vivek) who is away from all this gets to know of this and before he realizes, Shankar Ravi also gets killed. He vows revenge on his father and brother’s killers and in this process, Narasimha Reddy, Nagamani Reddy and others are brutally killed. Nagamani Reddy’s son Bukka Reddy (Abhimanyu) who is insane to the core is unable to take this and he becomes Pratap’s main enemy.
Meanwhile, the rise of Pratap as opposite force to Bukka Reddy is noticed by Shivaji Rao (Shatrughan) who sets a new party and he decides to lift Pratap to put an end to Bukka Reddy. What happens after that forms the rest of the story.
Performances:
Vivek Oberoi is an apt choice, his eyes deliver the sufficient emotion of revenge and his body language is intense. He has done full justice to his role.
Abhimanyu Singh is a complete show stealer. His menacing looks and his cold blooded performance will give some spine chilling moments.
Shatrughan Sinha was contained and it must be said that traces of real life N T Rama Rao are quite prominent in his gestures and dialogue delivery.
Kota was perfect, Radhika was naturally appealing, Zarina was neat, Tanikella was impressive and he made his presence felt, Rajendra Gupta was adequate, Sushant was brief, Ashish Vidyarthi was alright, Subhalekha Sudhakar was standard, Subrat Dutta was good, the others did their bit as required and added value.
Highlights:Symbolism shots with respect to showing a cycle in Shivaji Rao (Shatrugan Sinha)’s place (recalling TDP and NTR), usage of left had, addressing as ‘brother’ are impressive.
Showing a dog barking after the death of Naga Mani Reddy (Kota) depicts ‘kukka chaavu’..That’s impressive.
Ram Moorthy (Tanikella) saying to Pratap Ravi ‘to shave beard as a politician should look clean at face although dirty at heart’
Bukka Reddy’s introduction scene
Disappointments:RGV’s voice over is overflowing. It’s not a radio drama to explain everything with a voice over. Whatever RGV is saying in voice, is being conveyed visually! It disturbed the mood to some extent.
Pratap Ravi stays in forest as per the dialogue. But he stays in a dusty hill area that hardly looks like a forest. It may sound trivial, but when such observations linger in mind, some audience gets distracted from the mood.
Why Dabbunnoda song? The context is not convincing.
Challenges:The subject chosen is quite hard hitting so one needs to have some background information before actually connecting to the film.
Facing criticism with respect to Shivai Rao’s (a replica of NTR) characterization and converting it into publicity element.
Facing criticism and questions with respect to ‘pedda sir’ (implying YSR) and again converting it into a publicity element
Mood is suddenly dropping down at the conclusion point of the movie. Waiting till Part-2 to get completeness in feeling is a challenge for audience and it’s challenge for maker to sustain interest for 1 month till Part-2 release.
Analysis:“Goodness or badness can never be anyone’s property. They are situational.
If a man is hunger free, he showers only goodness. But if any sort of hunger (be it lust, power craving or greed or vengeance) hits him, he spells badness”.
Rakta Charitra is a fiction based on historical facts.
It’s rather powerful to say that it’s a true depiction of human emotions.
It’s a tour to extreme human beings.
Ramayan or Mahabharat or any chronicled history in dramatic form depicts the extremities of emotions in every character. For example if Karna is known for generosity, its shown with eccentricity of chopping off his own armored skin to offer for a beggar. If Bheeshma is known for sacrifice, its shown in extreme point of choosing life time celibacy to keep himself and his legacy far from kingship. Any drama holds grip only when the characterizations are strong. This fact was known for dramatists right from Veda Vyasa and Valmiki. Similar path is now chosen by Ram Gopal Varma is depicting a historical fact in dramatic form.
He has shown Bukka Reddy as a determined rapist (!) and dedicated murderer (!).The incidents canned around this characterization are extreme in imagination. Pratap Ravi is shown as a bad guy, but for a true reason (since he is chosen to be the hero of the plot).
Ram Gopal Varma is a master of movie making and an expert storyteller. This is seen here yet again. As such, the storyline can be understood in few words and there is nothing unpredictable about it but then it is the way Ramu takes off with each scene and how he gets the viewer into the film which counts.
His screenplay techniques and shot compositions are one of those dexterities he possesses. Perhaps a layman might find the visual appeal to be dim but then there are few flashes of his brilliance which are seen on and off. The focus was more on the emotion of the protagonist and the villain so that is a challenge to handle for more than two hours.
On the other hand, it is not a typical Varma characterization where most of the actors give hard expressions, talk less and convey more. Here the characters speak sufficient and sometimes little verbose!! But still there is a rhythm in their performance and it connects to the regular audience.
For free Tollywood updates and Reviews just sms as ON TELUGUBUZZ to 9870807070
Nava Ratri History
Significance
The beginning of spring and the beginning of autumn are two very important junctions of climatic and solar influence. These two periods are taken as sacred opportunities for the worship of the Divine Mother. The dates of the festival are determined according to the lunar calendar. Being the oldest religion in the world, Hinduism has numerous belief systems.In Hinduism the adherents believe in one omnipresent Deity but may worship Her/Him in any of the numerous manifestations that are prevalent all over India. Navaratri represents celebration of Goddess Durga, the manifestation of Deity in form of Shakti [Energy or Power]. Dasahara, meaning ‘ten days’, becomes dussehra in popular parlance. The Navaratri festival or ‘nine day festival’ becomes ‘ten day festival’ with the addition of the last day, Vijayadashami which is its culmination. On all these ten days, the various forms of Mother Mahisasura-mardini (Durga) are worshipped with fervour and devotion.
Navaratri is celebrated five times a year. They are Vasanta Navaratri, Ashadha Navaratri, the Sharada Navaratri, and the Poushya/Magha Navaratri. Of these, the Sharada Navaratri of the month of Puratashi and the Vasanta Navaratri of the Vasanta kala are very important.
1. Vasanta Navaratri: Basanta Navrathri, also known as Vasant Navratras, is the festival of nine days dedicated to the nine forms of Shakti (Mother Goddess) in the spring season (March–April). It is also known as Chaitra Navratra. The nine days of festival is also known as Raama Navratri.2. Gupta Navaratri: Gupta Navratri, also referred as Ashadha or Gayatri or Shakambhari Navratri, is nine days dedicated to the nine forms of Shakti (Mother Goddess) in the month of Ashadha (June–July). Gupta Navaratri is observed during the Ashadha Shukla Paksha (waxing phase of moon).
3. Sharana Navaratri: This is the most important of the Navratris. It is simply called Maha Navratri (the Great Navratri) and is celebrated in the month of Ashvina. Also known as Sharad Navaratri, as it is celebrated during Sharad (beginning of winter, September–October).
4. Poushya Navaratri: Poushya Navratri is nine days dedicated to the nine forms of Shakti (Mother Goddess) in the month of Pousha (December–January). Poushya Navaratri is observed during the Pousha Shukla Paksha (waxing phase of moon).
5. Magha Navaratri: Magha Navratri, also referred as Gupta Navratri, is nine days dedicated to the nine forms of Shakti (Mother Goddess) in the month of Magha (January–February). Magha Navaratri is observed during the Magha Shukla Paksha (waxing phase of moon).
This is celebrated during Vasanta Rutu (beginning of summer) (March- April). This is also known as Chaitra navaratri as it falls during the lunar month of Chaitra.
In days long gone by, King Dhruvasindhu was killed by a lion when he went out hunting. Preparations were made to crown the prince Sudarsana. But, King Yudhajit of Ujjain, the father of Queen Lilavati, and King Virasena of Kalinga, the father of Queen Manorama, were each desirous of securing the Kosala throne for their respective grandsons. They fought with each other. King Virasena was killed in the battle. Manorama fled to the forest with Prince Sudarsana and a eunuch. They took refuge in the hermitage of Rishi Bharadwaja.
The victor, King Yudhajit, thereupon crowned his grandson, Satrujit, at Ayodhya, the capital of Kosala. He then went out in search of Manorama and her son. The Rishi said that he would not give up those who had soughts protection under him. Yudhajit became furious. He wanted to attack the Rishi. But, his minister told him about the truth of the Rishi’s statement. Yudhajit returned to his capital.
Fortune smiled on Prince Sudarsana. A hermit’s son came one day and called the eunuch by his Sanskrit name Kleeba. The prince caught the first syllable Kli and began to pronounce it as Kleem. This syllable happened to be a powerful, sacred Mantra. It is the Bija Akshara (root syllable) of the Divine Mother. The Prince obtained peace of mind and the Grace of the Divine Mother by the repeated utterance of this syllable. Devi appeared to him, blessed him and granted him divine weapons and an inexhaustible quiver.
The emissaries of the king of Benares passed through the Ashram of the Rishi and, when they saw the noble prince Sudarsana, they recommended him to Princess Sashikala, the daughter of the king of Benares.
The ceremony at which the princess was to choose her spouse was arranged. Sashikala at once chose Sudarsana. They were duly wedded. King Yudhajit, who had been present at the function, began to fight with the king of Benares. Devi helped Sudarsana and his father-in-law. Yudhajit mocked Her, upon which Devi promptly reduced Yudhajit and his army to ashes.
Thus Sudarsana, with his wife and his father-in-law, praised Devi. She was highly pleased and ordered them to perform Her worship with havan and other means during the Vasanta Navaratri. Then She disappeared.
Prince Sudarsana and Sashikala returned to the Ashram of Rishi Bharadwaja. The great Rishi blessed them and crowned Sudarsana as the king of Kosala. Sudarsana and Sashikala and the king of Benares implicitly carried out the commands of the Divine Mother and performed worship in a splendid manner during the Vasanta Navaratri.
Sudarsana’s descendants, namely, Sri Rama and Lakshmana, also performed worship of Devi during the Sharana Navaratri and were blessed with Her assistance in the recovery of Sita.
Commences on the first and ends on the tenth day of the bright half of the lunar month Aswayuja/Asvina.
‘The Navaratri festival has to be celebrated during the bright fortnight of the month of Asvina, in the order of pratipada, etc, until the navami ends,’ says the Dhaumya-vacana.
Navaratri in the year 2010 starts on 8th October 2010 and ends on 16th October 2010 with Vijayadashami celebrated on 17th October 2010.
Devasthanam's Dasara festivities
ri Kanaka Durga Devi, the chief deity of the temple is portrayed as blessing the visiting devotees in various forms (avatars) during the ten day festival. A symbolic representation of the 10 forms of triumph of good over evil, this form (known as 'Alankaram') of the day is chosen as per the astrological star of each day, in accordance with the lunar calendar. This year, the devotees are being blessed according to the following schedule of Alankarams:
Day 1 -SRI SWARNA KAVACHALAKRUTA DURGA DEVIDay 2 - SRI BALA TRIPURA SUNDARI DEVI
Day 3 - SRI ANNAPURNA DEVI
Day 4 - SRI GAYATRI DEVI
Day 5- SRI LALITHA TRIPURA SUNDARI DEVI
Day 6 - SRI SARASWATI DEVI
Day 7 - SRI MAHA LAKSHMI DEVI
Day 8 - SRI DURGA DEVI
Day 9 - SRI MAHISHASURA MARDHINI DEVI
Day 10 - SRI RAJA RAJESWARI DEVI
Note: Alankarams may change according to Thidis and nakshatrams every year
Forms of Shakti
Nine forms of Shakti are worshipped during the Navaratris. The Devis worshipped depend on the tradition of the region.
- Durga, the inaccessible one
- Bhadrakali
- Amba or Jagadamba, Mother of the universe
- Annapurna, The one who bestows grains (anna) in plenty (purna: used as subjective)
- Sarvamangala, The one who gives joy (mangal) to all (sarva)
- Bhairavi
- Chandika or Chandi
- Lalita
- Bhavani
- Mookambika
Rituals
The Navratri commences on the first day (pratipada) of the bright fortnight of the lunar month of Ashvin. The festival is celebrated for nine nights once every year during the beginning of October, although as the dates of the festival are determined according to the lunar calendar, the festival may be held for a day more or a day less.
Navaratri is celebrated in different ways throughout India. In North India, all three Navratris are celebrated with much fervor by fasting on all nine days and worshipping the Mother Goddess in her different forms. The Chaitra Navratri culminates in Ram Navami and the Sharad Navratri culminates in Durga Puja and Dussehra. The Dussehra of Kulu in Himachal Pradesh is particularly famous in the North.
The last four days of Sharad Navratri take on a particularly dramatic form in the state of West Bengal in East India where they are celebrated as Durga Puja. This is the biggest festival of the year in this state. Exquisitely crafted and decorated life-size clay idols of the Goddess Durga depicting her slaying the demon Mahisasura are set up in temples and other places. These idols are then worshipped for five days and immersed in the river on the fifth day.
In Western India, particularly in the state of Gujarat, Navratri is celebrated with the famous Garba and Dandiya-Raas dance. Since the past few years, the Government Of Gujarat has been organising the "Navratri Festival Celebrations" on a regular basis for the nine days of Navratri Festival, in Gujarat. People from all over Gujarat and even abroad come to participate in the nine days celebrations. It is also popular throughout India and among Indian communities around the world including UK and USA.
In Goa, zatra begins during Navratri, entire Antruz (Ponda) is highly ornated. The Saraswat temples are beautifully decorated and the idols are taken out for worship. The idols are dressed and adorned with flowers, sandalwood paste, turmeric and kumkum. Devotees come during Navaratri to get the special darshan and what mostly a devotee awaits is the Kaul Prasad, which is as something given from the Gods and Goddess itself. The Deities are emblazoned with flowers and devotees or priests continue to worship the deity without even changing the flowers on them. At the end of the festive night the flowers are distributed as Prasad for the devotees.
In South India, people set up steps and place idols on them. This is known as golu. Photos of typical Golu displayed in Tamil Nadu style at a home in Nerul, Navi Mumbai, Maharashtra, India is shown by the side.
Navratri is divided into sets of three days to adore three different aspects of the supreme goddess or goddesses.
First three days
The goddess is separated as a spiritual force called Durga also known as Kali in order to destroy all our impurities.
Second three days
The Mother is adored as a giver of spiritual wealth, Lakshmi, who is considered to have the power of bestowing on her devotees inexhaustible wealth, as she is the goddess of wealth.
Final three days
he final set of three days is spent in worshipping the goddess of wisdom, Saraswati. In order to have all-round success in life, believers seek the blessings of all three aspects of the divine femininity, hence the nine nights of worship.
In South India, Saraswati pooja is performed on the 9th day. Eight day is traditionally Durgashtami which is big in Bengal. The 10th day is Ayudha Pooja when everyone gives their tools of the trade—pens, machinery, books, automobiles, school work, etc. a rest and ritually worships them. They start a fresh from the next day, the 10th day which is considered as 'Vijaya Dasami'. Many teachers/Schools in south India start teaching Kindergarten children from that day onwards. Students also pay homage to their respective teachers as they are considered the third god (Maata, Pita, Guru, Daivam - Mother, Father, Teacher & God). On this tenth day of Navratri in October - the holiday of Dussehra, an effigy of Ravana is burnt to celebrate the victory of good (Rama) over evil.
During Navratri, some devotees of Durga observe a fast and prayers are offered for the protection of health and prosperity. A period of introspection and purification, Navratri is traditionally an auspicious and religious time for starting new ventures.
During this vowed religious observance, a pot is installed (ghatasthapana) at a sanctified place at home. A lamp is kept lit in the pot for nine days. The pot symbolizes the universe. The uninterrupted lit lamp is the medium through which we worship the effulgent Adishakti, i.e. Sree Durgadevi. During Navratri, the principle of Sree Durgadevi is more active in the atmosphere.
Navratri is celebrated in a large number of Indian communities. The mother goddess is said to appear in 9 forms, and each one is worshipped for a day. These nine forms signify various traits that the goddess influences us with. The Devi Mahatmya and other texts invoking the Goddess who vanquished demons are cited.
During the eight or ninth day, Kanya Poojan, pre-pubescent girls are ceremonially worshiped.
All the data are from some sources of internet and some by personal means if u think the data posted is having any Licence(privacy) or private data pls post in comments we will try to rectify the post or delete the post
sms as ON JAISAIRAM to 9870807070 for devotional messages to ur mobile freely daily
manoj@9030196542 to vote me sms as ON MANOJPAI to 9870807070 pls sms
Thursday
Mahesh Khaleja Genuine Review& Story
completely a disaster movie..
trivikram yena director lekaa inkevarina teesara anpinchindhi..
dialogue levu punches levu..correct comedy ledhu..mahesh babu slang..chala chotla irritating ga untundhi..completely a disaster..highly disappointed with trivi..
dialogues edo jalsa ni modify chesi rasinattu untay..
evadu chusthee antu movie start ayetapudu oche dialogue indra ne gurtuku testadi..
first half lo emiii undadhu asalu
introduction ye chetta bottle water kosam 15 mins fight
sare ankunte taxi taxi pata...pata ayinapatnunche bore kodtuntee..koddi sepatki inkopata..aah boom shakanaka pata asal enduku ipotaledhoo inka ani time chuskovalsi ostadi..thu
okkatante okka pata kuda baga teeyaledu..infact songs ochinapudalla irritation ekkuvitundhi..yuck
first half lo 3 songs all worst
2nd half lo saar devudipotadu..hilarious...
mahesh babu devudee ani manani convince cheyatanki trivikram try chestuntadu..2 times ante okay..oka scene lo ekanga doctor chanipoyindhi ani confirm chesaka kuda..mahesh babu nene gankaa devudini iteh yi papa bathuktadi anagane bathuktadi[theatre lo mahesh baba ki jai ho ani arpulu]
ivi chaladu anattu..madhya madhya lo anavasarapu fightlu..
madhyalo anushka lip lockpataa
mahesh vi maximum close up shots ye ...brands promotion bagane jargindhi
anushka ento chendalanga undhi
annitiki minchi mahesh nene devudini ani convince ayye scene okati
avi chaladu ani climax ki elthe malli rao ramesh buildup lu..last ki malla mana frustration ni parakastha ki cherche oka scene...nene devudini iteh vedu chachipovali anaganee...
chettuki katti unna chaku lantidhi oodi vachi prakash raj ki kuchkuni sachipotadu mokam pina pasupu kunkuma padtayiyii scene nijanga trivikram cinema yena ani doubt ni strong chestadi..
yet another sure shot flop for mahesh babu.. 5 years in a row.. no hit7
on a final note: mahesh babu trivikram ki kuda sucessful ga flop ni ichadu
For tollywood alerts and free reviews sms as ON TELUGUBUZZ to 9870807070 now manoj@9030196542 to vote me sms as ON MANOJPAI to 9870807070 pls sms
Mahesh Khaleja Review
Yes it’s the Khaleja for millions of Mahesh’s fans…who eagerly are counting not just the weeks and months…but years to see their “idol” on the silver screen!!
And expectations were on the top for Trivikram directing it and seductress Anushka pairing up with him…
Now finally all is history as the movie is out and so let’s check out how well it fared…
Plot -Mahesh plays Bruce Almighty
Actually there would be many expectations that surround the comeback movie of Mahesh…and everyone has their own thought on the plot…but the actual one in mind of Trivikram is a kind of natural fantasy in lines of “Bruce almighty” or say our own “Baba”…Of course which just takes time to digest for a while…
MaheshBabu, Time has not withered his charm by an inch but in fact he appears even more handsome now. . It’s common usage in AP to call someone as “Mahesh Babu” to treat them as handsome. I guess not many disagree with that and it is happy to see this magnetic beehive back in town to allure all those female bees who are missing him for a while. This time he was in more ease…especially Trivikram stitched many comedy scenes around him and also on him…So this elevated his dialogue, diction and comedy timing…and in one word he has given his natural best…But Dance moves should be more better…he justifies them in only last song.
“Dhaivam Maanusha Rupena” is the exact theme around which the story is weaved…We treat any fellow man who helps us in need as a God…And in fact Hero in every film is an implicit God as he resolves a problem and that message is inherently told. So here the hero rescues a village from a serious problem and thus an implicitly divine… But shouting aloud the implicit fact is something that could not be registered soon with audience...at least in first go!
Second half starts off on very serious note with intervention of Shafi and making Mahesh the God. But the seriousness is diluted by light narration.
Trivikram comfy zone is obvious that it comprises of his witty one liners and light narration…He entirely depended on the same and we definitely enjoy the scenes at the moment. And this time Mahesh alone handles the comedy department so well. But we are not connected with the theme.
Fights...Songs…etc etc
All the fights start off with a witty dialogue prelude and that is accepted well.
Songs are good on screen just like the music. I liked “Pilichey pedavula paina” and “Makatika…” more. “Sada Siva …” is not as expected might be because it is a transformation song…which comes as a surprise moment. Manisharma excels after long gap.
Styling by Yashbhatt is awesome …And Mahesh magnified his work. Cinematography is cool. There are few locations but are good.
Things that went wrong with the expectations
It’s primarily the expectations that are piled upon the combination and it is not easy to keep them live every time...
Second half should have been racy enough with some action elements and more of characters as the comedy become monotonous after a while with minimal characters.
And all the characters appear on screen as if they are all running around same bush.
Final Say …Do watch it for Mahesh…
Yes it is Magic of Mahesh…His body language and the characterization looks simple but are superb. He has more dialogue this time and he entertains the audience in every moment…And he is there in almost every scene…So complete Paisa Vasool...
So fans of the combinations and Permutations of these four people “Mahesh-Trivikram-Anushka-Manisharma “should watch this for sure…for comedy and songs
And it’s basic plot and screenplay …that disturbs few…and so decision is up to you if you have to choose between many other movies like Robo and Brindavanam
Rating:
3. for good theme and Mahesh… While negative is narration and second half which could be made far better!!Seriously it is tough to rate a movie...and please go by positives and negatives mentioned..and judge it..:) For tollywood Updates sms as ON TELUGUBUZZ to 9870807070
manoj@9030196542 to vote me sms as ON MANOJPAI to 9870807070 pls sms
Subscribe to:
Posts (Atom)
Popular Posts
-
Original Rare Pictures Of Sadguru ShirdiSai baba To get free Sai Baba Quotes freely to ur mobile just sms as ON JAISAIRAM to 9870807070 pls sms -
Sri Sri Radha Krishna Chandra Temple is accredited for having the ISKCON's largest temple complex in the world. Being made by the Iskcon...
-
Pancharama is the name given to those five temples which are dedicated to Lord Shiva. These places are distributed over three districts, Eas...
-
Visiting hours Temple is opening at 4.00 a.m. early morning and it will be closed by 9.30 p.m. In peak days like Sunday/Saturday /Festival ... -
Dhyanalinga" was consecrated by Sadhguru Jaggi Vasudev, a realized master, mystic and yogi, after three years of intense process of pra... -
Penugonda the abode of Vasavi, situated in West Godavari District of Andhra Pradesh , India is well connected by Road and Rail. Penugond... -
FACTS TO FILE How far : 232 km from Hyderabad How to reach : A.P. Tourism package tour, APSRTC buses at 7 a.m. and 3 p.m., or priv... -
Significance: Tirupati/Tirumala is a pilgrimage center of great significance and is visited by hundreds of thousands of pilgrims throughou... -
The Historic Temple at the Simhachalam, built in the 11th Century, where the Lord Varaha Narasimha Swami's temple is located, resembles ... -
Time table for C09 scheme, C08 scheme Vth sem & C05 scheme Vth sem Regular and Backlog Examinations- November-2010 has been released tod...
